This quilt gave me some challenges to figure out how to work around them on a longarm, with design elements and lots of embellishments.
This is how the quilt top came to me, with prairie points and a small border outside it.
There were also lots of fun embellishments, like flaps, 3-D ribbon flowers and leaves, appliqué, and embroidery.
As always, I lined up the "top" (which is really the side since I loaded it sideways).
I used my horizontal and vertical channel locks to insure it was straight, then used my cord and toggles to mark where the edges were to come to, as well as specific vertical lines. This helps me each time I roll the quilt to keep everything straight.
I did an overall meandering loops design, simple and forgiving. I wanted all her work to shine and didn't want anything to overshadow it.
As I would quilt, I would move the 3D pieces out of the way to cover as much space, but not sew over the embellishments.
Basting down the sides was tricky. It was important to keep the little border underneath straight, but when the prairie points were bent out of the way, the edge would immediately shift.
I found pinning the points out of the way, and careful measuring and pinning helped immensely.
Again, pinning the prairie points out of the way, I bound the quilt as I normally would.
A closer view, above.
A pieced back using leftover fabrics from her stash, below.